India Today Eyecatchers

India Today issue dt August 2, 1999
August  2, 1999

Cover Story

Columns

Newsnotes

From the
Editor in Chief


Editorials

Eyecatchers

Voices

Nation

Centrestage

Bodyline

Defence

Neighbours

Sports

New Careers

Issue Contents

Our Lady in America

The encounters of Bhartiya womanhood and Uncle Sam.

By Chitra Banerjee, Divakaruni

EMERGING VOICES
ED BY SANGEETA R GUPTA
SAGE
PAGES: 259, PRICE: Rs 225

As the second generation of the post-1965 Indian immigrants come of age in America, we are beginning to see a wealth of literature as well as critical essays in which they chronicle and analyse their experiences. Readers might recall anthologies of prose and poetry such as Living in America, edited by Roshni Rustomji Kerns, and Contours of the Heart (which won an American Book Award), edited by Rajini Srikanth and Sunaina Maira. Then there are the more scholastic, research-oriented post-colonial texts such as An Immigrant Success Story: East Indians in America by Arthur and Usha Helweg and Cultural Variables in Asian Indian Families by Uma Segal.

Emerging Voices, edited by Sangeeta Gupta, falls somewhere between the two categories. It contains academic articles and carefully documented case studies in addition to impassioned autobiographical accounts by women who have lived through repressive or abusive situations.

Emerging Voices is an openly feminist collection divided into three sections: Self, Family and Community. The book is an insightful and significant achievement by Gupta, who is a graduate student at the University of California, Los Angeles.

She has managed to bring together writers who are not afraid to address taboo issues such as domestic violence and pre-marital sex among Indian American teenagers as well as the more common issues -- of marital roles, arranged marriage and south Asian women in the workplace.

In "The Habit of Ex-Nomination", Ananya Bhattacharya, activist and founder of Sakhi, openly castigates the Indian American community for its bourgeois values, its insistence on being a model minority and its subsequent denial of a space in which gays, lesbians and battered women can exist with dignity.

In "The Paradoxes of the Kama Sutra and the Veil: Asian Indian Women and Marital Sexuality", Mantosh Singh Devji depicts with brave frankness the stories of five women -- including Devji herself -- and their experiences in the bedroom. She draws a connection between these mostly unhappy experiences and the strictures of the patriarchal society within which these women were raised. Here is one of her conclusions: "Indian men are notoriously poor lovers. They do not teach, cajole, woo, arouse or practice seduction. Instead ... they conquer or basically use sex for personal release." Fighting words, maybe. But Devji -- like the other writers in the collection -- has the evidence to back them up.

The most moving pieces in the book are the first-person accounts by women who have fought their way through traumatic situations. Here is an excerpt from Sabah Aafreen's "In Search of Self", powerful in its staccato simplicity: "Parents will look the other way if they catch their sons with an American girl. But they keep an eye on their daughter as soon as she reaches puberty. She is taught to fear Allah and obey her parents. Her marriage is arranged with a cousin back in Hyderabad before she graduates from high school ...

"In high school my grades were good and my teachers were encouraging me to apply to different universities, most of them far from Chicago. My father found a Boston University application lying around. He tore it up and threw it away."

Pooja K. writes of herself after her divorce, "Where do you fit in ... you are no longer the 'wife of a doctor'.

"What is your identity now in Indian society, where a woman is defined by the man in her life? ... Do you even have an identity?"

Emerging Voices is a thought-provoking collection to which readers in India and America -- both academics and laypersons -- will relate. Editor Gupta hopes that the book will further open the dialogue within the diverse south Asian communities of the world. I believe it will do so with great success.

AUTHORSPEAK
RANDHIR KHARE

Marginal Man
Stories of the little people everybody forgets

There's little of love, a lot of longing and yes, loneliness too. Notebook of a Footsoldier and Other Stories (HarperCollins) -- a three-part collection of short stories -- is a gathering of eccentric characters on the edge, unshackled from the concerns of social acceptance, pushing back the boundaries of existence. In this, his third collection of short stories, poet, journalist and author Randhir Khare focuses on individuals and communities who are all marginal in some way of the other.

"Living With Sarah" deals with the obsession of an Iranian refugee for Sarah, a displaced drug addict. Gonsie, the Mangalorean, manages to rid himself of the woman in his mind by finding earthy love on the beaches of Goa with Matilda, a fisherman's wife. "Ladies of Calcutta" looks at Anglo-Indian women left back in the heart of the big city: Annie who trusts her dog more than men; Puglee Mercy, the bag lady who attends Sunday mass come hail or storm; Marlene, the blues singer; the beautiful Romona, who desperately guards her secret from her lover.

Says Khare: "These are individuals and characters left on the way like debris thrown after the storm has passed." Since the early '70s, when he started working as a journalist, Khare has published four volumes of poetry and two volumes of short stories besides Notebook of a Footsoldier. His poems, some set to music by A.R. Rahman, have been performed by the Ishara Puppet Theatre at national and international festivals.

Over the years, Khare has worked among minorities and indigenous communities in rural and tribal India. In a continuation of the concern for marginalised communities -- "These and the interdependence of species are themes which invariably recur in my writing" -- Khare is now working on Dangs: Journeys into the Heartland, a cross between travelogue and fiction set among the tribal people of Dangs. Next, there's a futuristic fable titled "Last Jungle on Earth", to be published early next year. Himself a man of diverse roots from the Anglo-Indian community, Khare finds himself sharing a deep empathy with them: "It probably comes from a search for self, at times I am facing the same predicament. So, as a writer, there are no solutions, just this deep-rooted need to document." Write on.

-Nandita Chowdhury

Back | Next

 

ITGO

© Living Media India Ltd