|
For
those who assume that "foreign" means "better" products,
a test report on compact fluorescent lamps (CFL) released in February
should come as a revelation. Of the 23 imported brands tested by the Consumer
Education and Research Center (CERC) at Ahmedabad, none gave the desired
light, some not even half that claimed by the label.
CFLSs (cost: Rs 40-350) are overtaking conventional bulbs (cost: Rs 10)
even in middle-class buyers' preferences because they promise lower energy
consumption (an important consideration when electricity tariffs keep
rising) and longer life (6,000 to 12,000 hours, against 1,000 hours for
bulbs). Tested against their own label claims, however, the 23 brands
showed up to be "dismally below standard", according to the
report.
Following the recent opening up of Indian markets to goods from overseas,
a lot of substandard "foreign made" products are being dumped
on us, taking advantage of the fact that there are no checks on the entry
of such goods in spite of laws which require that all rules governing
Indian products shall also be applicable to imported items. "Such
laws remain on paper and are not enforced," says cerc, adding that
this is unfair to both Indian consumers (who get substandard products)
and Indian industry (which suffers unfair competition).
The light output of the brands tested-they included imports from China,
South Korea and Taiwan-ranged from as low as 13.6 per cent to 88.9 per
cent. (Asram, for instance, promises the equivalent incandescent wattage
of 100 but gives only 15). European standards specify a minimum of 90
per cent of the output claimed by the label. Only two samples (out of
23) satisfied this limit. Clearly, manufacturers are taking advantage
of our craze for things "phoren".
-Sakuntala Narasimhan
A Kitsch Break
|

|
| DANCER DREAMER: Rahman |
For most part dancer Sukanya Rahman lives in a small fishing island off
Maine in the US, and she attributes the success of her book Dancing
in the Family to her peaceful seclusion. "It gives me space to
dream," she says. (Fresh lobsters are the other advantage.) But she
balances her dream world with a lot of travel, earlier for her dance tours
and now as a painter and installation artist (she studied art at Paris
before dancing). "Recently I've been doing these multi-media constructions,
incorporating a lot of kitsch and street art." An exhibition is currently
on at New York, Boston's next. A huge relief after the "torturous
process" of writing about her family, which she says makes her feel
like she is "out of the psychiatrist's chair". The lobsters
are a welcome break too.
-Anshul Avijit
Quota Gone Mad
A recent Madhya Pradesh Public Service Commission recruitment ad created
a furore. It offered 100 per cent reservation for Scheduled Tribes for
10 posts of deputy collectors, violating the Supreme Court limit of 50
per cent. The reason proferred was that the huge backlog of reserved posts
left no room for backward or general category aspirants. Though the high
court granted a stay order the Government wants to ensure Dalit rights
are not ignored. So apart from the 20,000 jobs on offer this year the
5,500 posts to be filled through promotions will also be reserved. Those
objecting to reservation maintain that this will lead to a situation where
the entire administration will be run by reserved quota recruits. The
court order is awaited.
-Neeraj Mishra
OBITUARY
|

|
KARIM LALA
(1912-2002) |
Karim Lala, 90, who died of a heart attack on February 18, was the last
of a troika of vintage Mumbai dons, including Haji Mastan and Varadarajan
Mudaliar, that ruled the city's crimescape in the 1960s-70s.
Born Abdul Karim Sher Khan in Afghanistan, the tall Pathan with the booming
voice came to Mumbai, began by dealing in illicit liquor and later moved
on to loan recovery. By the late '60s, the city was neatly diced up by
the trio who lived by a code of conduct, and smuggled gold, textiles and
electronics-the underworld's innocent phase before the D Company took
over.
Lala is said to have inspired Pran in Zanjeer and Kader Khan in Angaar,
but he never got the attention that Mastan's character did with Deewar
or Mudaliar's with Nayakan. He spent his last days in Mumbai, stricken
by diabetes and failing eyesight.
-Sandeep Unnithan

|