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Saffron Quicksand
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Can India Resolve Ayodhya

 
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Frozen Pain
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Mystic Goes Pop
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Fifth Column: Tavleen Singh
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Sportswatch: Sharda Ugra
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Still fighting stereotypes and shaking off notions of ethnic beauty, Indian models are tapping at the glass ceiling.

NRI DIARY

India Calling
End Of A Dream
Good Karma
Summer Seductions
A Confluence Of Virtuosos

 

 

 
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As a week-long celebration of regional music brought out the many rich traditions of the North-east, it also drew attention to a deep sense social and cultural alienation. India Today's
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 CURRENT ISSUE MARCH 25, 2002  

BOOKS: AUTHORSPEAK

SHASHI B. SAHAI
Private Eye

Do you remember the foggy afternoon of January 2, 1975 when the then Union railway minister L.N. Mishra was assassinated at the Samastipur railway station in Bihar? Before a team of investigators headed by Shashi Bhushan Sahai could unravel the mystery, dark days of the Emergency descended on the nation and Indira Gandhi quietly handed over the case to the CBI. Twenty-seven years on the case is still pending in a Delhi court. Who cares?

    Books
OTHER STORIES RELATED TO BOOKS

The Kama Chic
A Bomb at the Box Office
Behind the Vale

Now, the assassination that might have exposed a deep-rooted conspiracy to eliminate an influential Bihari politician, has found a mention in Sahai's first novel, The Alien of Fakeland (Minerva). In a way Fakeland (that is, India) is a spontaneous overflow of the frustration of Sahai, 71, who joined the Indian Police Service as an idealist. He had seen the fading years of the Raj, the Freedom Movement and Independence. But his idealism, as he realised later, put him on the wrong side of the political establishment. His disenchantment found expression in the three books that he has penned since retirement-Politics of Corruption: The Goddess That Failed (1995), India: Twilight At Midnight (1997) and South Asia: From Freedom To Terrorism (1998).

His latest offering is a stinging commentary on Indian politics and society. It revolves around an idealistic young man faced with bitter realities. "It is a work of fiction," he says, "but not a pure figment of imagination either. Any meaningful work of fiction is drawn from the experiences of the writer." So you have Satish Shaw, the troubled but fascinating central character whose alienation is manifested in his outburst: "Prostitutes are real, the only real, genuine people in this land of fakes..."

In a sharp departure from the current Indian writing, Shaw is nostalgic about the Raj. As Sheila, the principal woman character, says, "Our finest hour was when we were fighting the British for freedom and not when we got rid of them." For people of his generation, asserts Sahai, it is difficult not to be nostalgic.

-Farzand Ahmed

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