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In
April the trains to Bangalore from all over the country were overbooked.
The waiting list stood at a staggering 13,000. Most of the passengers
were anxious parents accompanying students headed for the combined engineering
entrance examination. Faced with such a situation, the families had two
options-either pay more and take a flight or just drop the exam. The Indian
Railways stepped in at this critical juncture and decided to run 13 special
trains from across the country to meet the sudden demand.
This season, the Railways has used 3,300 special trains to meet similar
demand surges. And this is just one of the many initiatives it is taking
to improve its image and services. "All this is happening for the
first time. We realise that we need to have a flexible strategy and good
customer interface," says P.K. Goel, executive director, passenger
marketing, Ministry of Railways.
The new initiatives are in contrast to the Railway's image of a creaky,
impersonal and outmoded monolith. They include:
An estimated Rs 10-crore inhouse data-warehousing project to connect
720 locations across the country. This will enable the organisation to
analyse and collate data on countrywide passenger movement on a daily
basis. The result: it will be able to better monitor the demand-supply
gap and respond accordingly.
Last week, for the first time ever, Mumbaikars bought suburban rail
tickets from ATM counters. The Railways has tied up with 13 banks to make
the tickets available at ATM counters in the city. Soon rail tickets across
the country can be bought on ATMs and through smart cards in major cities.
From June, those with access to the Internet will be able to book rail
tickets online.
Also in June, the Railways will unveil its web-based information system
called National Train Enquiry System that will give real-time status (with
a five-minute lag) on train arrivals and departures. This will be updated
every half an hour. With time this will also be available on cell phones.
The same applies to unreserved tickets which are currently available
only at the point of departure. Passengers will be able to buy unreserved
tickets on the Net and at ATMs.
Aggressive marketing initiatives like "Travel by ac First Class
and take your spouse for free" and "Travel ac Second Class and
upgrade to ac First Class" are being considered to push sales in
the top-end segment.
Buttressing this will be the launch of flexible pricing and differentiated
service. By December 2002, the Railways hopes to start flexi-fares, higher
during peak times when demand shoots up by 20-30 per cent and lower fares
during non-peak season. Ditto for the suburban railways.
Adding variety to existing products are the stripped down versions of
premium services like the Jan Shatabdi to cater to the price-sensitive
segments. There will be feature-loaded upper class service to appeal to
the top-end of the travellers.
These new initiatives by the Railways are not just a pr exercise but
a response to market reality. Its monopoly is coming under threat with
airlines eating into its profitable ac First Class traffic. This year,
occupancy in this class on the Delhi-Mumbai Rajdhani has dropped from
a peak 70 per cent to 40 per cent. The flexible pricing introduced by
the airlines in November last year is making matters worse. The airlines
started offering 14 per cent discount on late-night and weekend flights
that translated into higher occupancy levels. For example, Air Sahara
saw an instant jump of 16 per cent in occupancy.
The Central Government's plans to build more expressways across the
country is also adding to the Railways' woes. For example, the Mumbai-Pune
Shatabdi has witnessed a traffic slump of 27 per cent last year because
of the newly built expressway between the two cities. "The airlines
are giving us serious competition," bemoans a Railways official.
"Now the expressways and the national highway will give us even more
competition."
The 13 million passengers who use the Railways each day are, however,
not complaining. Their passage across India is moving on the right track.
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