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DJ Megha Kawale
Deejaying has become more professional and a freelancer can earn up
to Rs 1 lakh. |
Software
engineer Sanjeev Shukla, 24, can easily hold on to his job in Sysarris
Software in Bangalore. Instead he's working hard to become a veejay. He
auditioned for the recent MTV VJ Hunt. His present job can't give what
is "more important than the big bucks": fame. With the boom
in the ice (information, communication and entertainment) sector, earlier
considered undependable, talkathon career options like video-jockeying
(veejaying), disc-jockeying (deejaying) and radio-jockeying (RJaying)
have become extremely popular. A "jockey" appendage to your
name is great, mixing music at a disc is an individualistic art, yappy
VJs are icons and smooth-talking RJs are stars on their own right.
More than the popularity, what is surprising is the profile of those
wanting to enter this shoot-your-mouth-off business. There are many with
the traditional jockey profile-models and Miss Indias, aspiring actors
and college comperes-but also in the queue are professionals from conventional
fields. "We have chartered accountants, pilots, teachers, marine
biologists and 3d animators auditioning to become VJs," says Natasha
Malhotra, vice-president, Production and Programming, MTV. "Even
NRI professionals from Canada and Australia have come down for this."
Others in the know underline the evolution of rjaying, deejaying and veejaying
into long-term, well-paying vocations to explain their popularity as a
career option.
Channel V's spokesperson insists that veejaying salaries are comparable
to that of "very highly paid senior executives". That would
mean a starting figure of Rs 25,000-30,000 a month extending to Rs 1 lakh
or more depending on the popularity of the TV anchor. Radio jockeys can
rake in about Rs 10,000 a month to begin with and end up drawing more
than Rs 50,000. Assistant DJs may get only a couple of thousands but the
returns can be high if the jockey is in demand as a freelancer, as high
as Rs 1 lakh.
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MTV VJ HUNT
With salaries ranging from Rs 25,000 to Rs 1 lakh even professionals
line up for VJ auditions. |
Good money for doing fun stuff-playing music, talking about it, interviewing
celebs, travelling and interacting with sundry folks-is undoubtedly a
big draw. But the reason spouted most often by aspiring jockeys is the
same as Shukla's: to be famous, to be a mini-celeb. Jockeying with its
glam factor, high visibility and ability to reach millions serves up instant
fame. The uncertainty factor is minimal. Shukla is confident that "if
you are a good communicator, you can survive for long". Others insure
against the odds. Sunaina Gulia, 21, took off on an audition trip only
after securing an advertising diploma from the Indian Institute of Mass
Communications, Delhi.
In fact, the CVs of the new breed of RJs and VJs could give mainstream
professionals a complex. Consider Manasi Scott. At 24, she is a Bachelor
in Computer Science, has a diploma in film and television production and
has even done a fair amount of scriptwriting, playback singing and live
compering. This lady, who believes that rjaying and veejaying are "largely
untapped fields", signed up with Radio Today (part of the India Today
Group) as an RJ. Her modus operandi is to "synergise her skills in
live compering, singing and rjaying as a mutually beneficial exercise".
The exercise has more than just individual following. Career portals
like kulguru.com give detailed lowdowns on the jockeying professions and
project them as lucrative options. YoungBuzz India Limited, a career guidance
company, lists them as "cool careers". Says Dipankar Sarkar,
who heads its research division: "The altered attitude of parents
is an important factor. What matters to them is good money and name. These
hip careers promise all that and more."
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RJ Manasi Scott
Many new FM channels have ensured that RJs earn between Rs 10,000
and Rs 50,000 a month. |
More is definitely on the cards. Rjaying swung into action when a slew
of new fm channels went on air this year. In fact, the new channels are
set to raise radio's 1.5 per cent share of the total ad-spend to at least
3 per cent (in other countries it ranges between 5 and 15 per cent, with
neighbouring Sri Lanka scoring a high of 14 per cent). With band waves
spooling in sponsors, there is money in the air for the jockeys.
Loquacious folks, who were busy doing voice-overs till now, know that.
The WIN 94.6 office in Mumbai received more than 500 resumes of aspiring
RJs in less than a month. But the competition means rjaying opportunities
come at a price. "Radio is now a dedicated profession," says
Nischint Chawla, coo, Radio Today. "You cannot RJ part-time. There's
some research involved." But the new breed isn't thinking part-time
either. Malishka Mendonsa, 23, an RJ with WIN 94.6, has already interned
at Genesis Advertising but left it because she is "positive about
rjaying being a long-term profession" and loves "the creative
space it provides".
DJs too are losing their inhibitions about telling folks that playing
music at night spots is what they do for a living. Amit Shah, 24, likes
to say he is 95 per cent DJ. When in college he was inclined to join the
family business and his passion for mixing music was "just a hobby".
Now, it is a hectic profession. Shah works as the in-house DJ at Athena,
a disc-cum-lounge bar in Mumbai and also runs a small DJ training school.
Megha Kawale, model and perhaps India's only female DJ, who plays at
Mikanos, also in Mumbai, considers deejaying "more stable" than
modelling. "It is no longer just about alcohol, a dancing crowd and
partying. A DJ's work is treated with more respect now." What most
DJs agree is that unlike video and radio jockeying, deejaying is still
not a "complete profession". DJs often indulge in allied affairs
like cutting their own albums or doing sound production.
Despite all the gloss and money, there are drawbacks. Brian Furtado,
25, who has compered BBC's Bombay Blush, feels the situation in India
doesn't compare well with other countries. "VJs and even DJs here
are more inhibited than their western counterparts," he says. "Being
a presenter here isn't as big a deal as it is abroad. Neither is it as
professional." Jayanti Ghose, a Mumbai-based career counsellor, strikes
a cautionary note. "Jockeying could be dependable provided one has
a specialist background or related training. Plus, the ability to reinvent
oneself with the changing demands of the medium," she warns.
How many youngsters are able to sustain the VJ-RJ-DJ penchant as a long-term
profession remains to be seen, but one thing is certain-many are trying
very hard. And having a rocking time while at it.
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