In the perennial
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Ashok Malik travels to the
dream that died. Guns
and Gaiety
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The
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TODAY
INDIA
TODAY HINDI
CURRENT
ISSUE NOVEMBER 4, 2002
CINEMA: AKSHAY KUMAR
Next Change
The macho man is in a new role as he stretches
his acting muscles and dons the part of a thinking actor
By Kaveree Bamzai
It's probably symptomatic of an industry starved
of stars that Akshay Kumar, once dismissed as a macho man with a Mickey
Mouse voice, has become one of Mumbai's busiest actors. He has replaced
the luckless Salman Khan in the new Thums Up ad, signing a year's contract
worth Rs 1.5 crore. He's acting in the new Madhur Bhandarkar film, considered
by many to be the isi mark of an actor. And he has as many as six films
in the kitty, each at a fee of Rs 1.5 crore, with directors ranging from
Raj Kumar Santoshi to Vipul Shah.
It has made him more venturesome. He now calls his secretary his manager/agent,
he has hired a pr firm to stoke his image and taking a leaf from the books
of actors like Ajay Devgan and Akshaye Khanna, he has decided to give
himself a new look for every film. Never mind that his eyes swim if he
reads more than half a page of print, that he's not the most scintillating
conversationalist and that he cheerfully confesses to borrowing stunts
from Hollywood movies.
NEW MOVE: Akshay has a total makeover
PLAN
OF ACTION
ROLES: Mixes
an action film with a more "authentic" part. APPEARANCE: Three designers fashion his clothes. Wants a new
look in every film. Will sport a new hairstyle in Police Force. NEW MOVIES: With Raj Kumar Santoshi and Dharmesh Darshan.
Meet the new, improved Akshay Kumar, who has decided not to let his muscles
do all the talking. He has worked on his voice with a teacher at home.
His clothes are the collective efforts of designers Manish Malhotra, Aki
Narula and Anna Singh. And the image as a serial philanderer is now consigned
to glossy newsprint that lines bookshelves, thanks to his marriage to
former actor Twinkle Khanna. Which explains the actor's latest passion:
playing with his month-old son Aarav.
As he steps out of his silver Mitsubishi Pajero and waits to go out
to lunch with his mother-in-law, Dimple Kapadia, he seems to have reinvented
himself. After over 12 years in Bollywood, he's actually thinking about
what he is doing. In Bhandarkar's new film, Police Force, his name is
Hari Om Patnaik ("I don't want to have a regular name like Ajay Singhania")
and his clothes are a replica of a DCP's wardrobe. For the new cola ad,
he experimented with his hairstyle and tried a different, bronze make-up.
"Now that I'm financially secure I like to challenge myself. I want
to be an actor," he says.
The turning point came in 1999 after three years of flops, when he did
Sangharsh with Tanuja Chandra and Jaanwar with Suneel Darshan. Mahesh
Bhatt remembers him from Angaarey, a 1998 film he directed him in: "He
was always defensive about his acting. He would always say, 'I'm a fighter,
not an actor'."
Now, every Friday, he goes to his neighbourhood theatre, with a cap
pulled low over his face, to watch the new releases. "I like to watch
with the audience. They laugh where I would not laugh, cry where I wouldn't.
They can tell when you are faking an emotion," he says. Which is
why he likes to mix it up. "I do certain movies for A-list centres
and others for B and C," he says. This year, he played an action
hero in Awaara Paagal Deewana and a blind robber in Aankhen. Later in
the year, Talaash with Kareena Kapoor will be released, to be followed
by the love triangle Andaz, where he's an air force pilot, with Priyanka
Chopra and Lara Dutta. Bhandarkar was impressed by his preparation for
the film, whether it was working on his look or his lines. "His sincerity
and hard work are his biggest qualities," he says.
Like his almost-director Deepa Mehta, he is convinced that Water will
be made and he'll get to play Narayan, Mahatma Gandhi's follower. He still
remembers the dialogue and rattles it off for your benefit: "Aadmi
ke mar jane par naa hi uske kurte ko jalate hai naa hi uske jooton ko,
par uski aurat ko (When a man dies they don't burn his kurta or his shoes,
only his wife)."
His grandparents, who still live in Delhi's Paranthewali Gali, would
be proud of his makeover. So would the uncle at whose no-name restaurant
in Bangkok's Phurat Street he spent six years cooking chole-bhature and
aloo subzi. The Khiladi has finally learnt how to play the game.