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ISSUE MARCH 10, 2003
CONTROVERSY: LIBEL SUIT
In Court
Ismail Merchant's autobiography brings back Zubeida's
ghost to haunt the former rulers of Jodhpur
The kingdom
may no longer exist, but intrigue refuses to leave the walls of Jodhpur's
Umaid Bhawan. After his mother Zubeida became the subject of Shyam Benegal's
controversial film, it is now the turn of the late Hukum Singh or "Tutu"
himself to be in the news.
In film producer-director Ismail Merchant's autobiography My Passage
From India, Tutu-the late son of Zubeida and the erstwhile Maharaja of
Jodhpur Hanuwant Singh-emerges as a theatrical lunatic who disrupts an
Umaid Bhawan dinner for Merchant and his crew by brandishing a sword.
The passage in Merchant's book is written with tongue firmly in cheek
but it has failed to amuse the family Tutu left behind; his wife Rajeshwari,
son Parikshit and daughter Jayanandini Singh have moved the Delhi High
Court against the publisher, Roli Books.
RAW NERVE: Jayanandini holds up a photo of
Zubeida; Hukum Singh
Merchant is liberal with his sense of humour. He pokes fun not only at
Tutu but also at the other erstwhile royalty of Jodhpur-the Rajmata, for
instance, is shown as not being perturbed by the threat to her life but
more interested in the jewels scattered during the confusion. Other helpless
royals stare at the scene, calling out to servants in vain. As for Tutu,
what Merchant says about him is not unlike what has been said before.
Merchant says he was "butchered to death". It is common knowledge
in Jodhpur that he had "a bad temper". And as Merchant's partner,
director James Ivory, says, "That the incident happened is a fact.
There were seven people in the room, including myself, who will be able
to establish this." So why the court case?
Merchant can only shrug: "What I have written is nothing. There
are a lot more stories about Tutu in Jodhpur. I don't know why they have
taken offence to it.'' Jayanandini, now married to Vikramaditya Singh
of Kota, Rajasthan, professes "deep hurt" and will only "speak
through the lawyers". The family of the erstwhile Maharaja of Jodhpur
Gaj Singh (Hanuwant Singh's other son) has also closed ranks and is refusing
to speak.
What rankles, say sources, is one little word hidden away in the passage.
Tutu, clearly the clown prince of Merchant's anecdote, is introduced early
in the passage as the "illegitimate brother" of Gaj Singh. That's
the first point raised in the petition, which says: "Our clients
belong to the royal family of the Maharaja of Jodhpur and are the legal
heirs of the late Rao Raja Hukum Singh." While the notice also raises
points about defamation and the disparaging light in which Tutu has been
shown, it once again brings up the issue of legitimacy.
"What I have written is nothing. There are a
lot more stories about Tutu in Jodhpur." Ismail Merchant, Filmmaker and Author, My Passage From India
up a photo of Zubeida; Hukum Singh
This, then, is the legacy Zubeida-known as Vidya Rani in the palace-left
behind: a question mark over her exact status in the life of the king.
The outrage comes to the surface every time Zubeida is referred to in
the media as "the illegitimate wife". Palace sources insist
that except for Rajmata Krishna Kumari (Gaj Singh's mother), not even
members of the immediate family know if Zubeida and the Maharaja were
indeed married. Tutu himself, pampered as a child by his stepmother Krishna
Kumari after her husband and Zubeida were killed in an air crash, was
said to have become acutely aware that he was not the successor to the
throne.
Zubeida may long be dead, but the touchiness about her status lives
on. As for the case, it will, by all accounts, turn out to be a fight
for the establishment of legitimacy, which alone can put her ghost to
rest.