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ISSUE MARCH 31, 2003
FASHION: MODEL WARS
Vanity Fair
Fascination for white skin sees western women
storm Indian runways, make inroads into Bollywood, spark heartburnand
an unprecedented colour divide.
By Kanika Gahlaut and Nidhi Taparia Rathi
IfFor
once, models and feminists are on the same side. Even before the controversy
over fairness creams broke out in Parliament, resentment against the White
Brigade had been building on the runway. Here they are, our pouting Indian
beauties, toning up, entering Miss India contests and trying to get a
personality in an effort to make it big-and seeming nobodies are beating
them to it.
Not only did Yana Gupta, a Czech married to a Pune-based artist, walk
out of the blue and onto the runway, she also managed a coveted item number
in a film. Then there's Roxenne, a holiday-maker "discovered"
in Goa; Leah, a Bharatnatyam dancer getting print ads by the dozen; Lada
Singh, a Georgian married in India and the toast of Delhi's fashion circles
(press releases add "white" model to her name as if it were
a doctorate); and Sai Baird, the girl who, besides loads of music videos,
has Lee and Roopam campaigns under her belt.
FAIR BARGAIN: (from top) For Lada,
Yana, Sita and Roxenne, being white is their ticket to success
Add to this imports like Katrina Kaif and Shivani Kapur (both with British
blood), Bollywood entrant Sita Thompson and other walk-in-walk-out white
appearances, and you have something of a foreign invasion on the catwalk.
Agrees choreographer Aparna Behl: "It is the first time there have
been so many foreign faces on the Indian runway." That white models
can make inroads into the Indian catwalk without the compliment being
returned by western runways-not a single Indian girl has managed a permanent
foothold abroad-has not gone unnoticed. "It is the country's fascination
with white skin that's getting them the attention," fumes aspiring
model Anjhula Singh.
Kaif, all over the idiot box promoting handsets and TVS, says she was
surprised how industry professionals fell over each other to woo her.
"Initially, I did find the fascination with white skin out of the
ordinary," she admits (the 19-year-old, however, refuses to endorse
Fair & Lovely cream). Adds Kapur: "The London scene is swarming
with models looking for work. It's easier to get a break in India and
acquire fame, glamour and money."
Backstage, this spills over into a colour divide. Yatan Ahluwalia, make-up
artist, says he has noticed "a slight bias towards the foreign girls"
(for instance, they take their time getting to the make-up room while
the Indian girls complain they can't get away with it). Ex-model and choreographer
Anu Ahuja also feels that some of the foreign girls are "wary of
and unfriendly" towards their Indian colleagues.
This fascination for fairness is hitting Indian models where it hurts
the most. "They get paid big bucks when they start and they walk
in and swipe assignments from under our noses," says tanned sizzler
Gauhar Khan, who has been through the paces of collecting crowns for four
years before making it to the top bracket. Ex-model and choreographer
Marc Robinson calls it a vicious cycle. "Foreigners are chosen over
Indian faces for TV ads because of their complexion. Once visible, they
get more runway work because the clients want known faces." Which
is why Gupta, Kaif and Kapur are top-grossers and may even out-earn senior
models.
Bangalore-based Prasad Bidapa, the model manufacturer pivotal in putting
the south Indian beauty on the Indian runway map, agrees that the industry
seems to be suffering from "colour schizophrenia". On the one
hand dusky models like Ujjwala Raut and Carol Gracias have overtaken fair-skinned
north Indian girls as runway favourites, on the other there is this wooing
of the whites. Bidapa, aghast at print ads with foreign models, says,
"We have spent enough time fighting the colour bias. We can do without
it."
MODEL UNREST: Greenrooms are rife with "white
bashing" by Indian models
Even given that foreign models are fashion's way of making a global statement-"The
clientele is now more global than ever," points out Behl-the real
insult, models say, is their quality. Standards, say insiders, are not
exactly Cindy Crawford-class. Even Behl admits that though the foreign
girls "have a different look, they don't have perfect bodies".
Yet, they rule. Part of the reason is USP. When everything from watch
companies to pubs are launching themselves with a fashion show, it helps
to stand out. Take the La Pashmina show in Delhi. It would have gone unnoticed
but for Angela, daughter of the Zambian ambassador to India who was put
on the ramp and hogged space in city supplements. Which explains why though
Raymond's foreign models were given the thumbs down by critics-"The
quality was not up to the mark," says Robinson-Gautam Singhania was
unapologetic. "If it gets all of Mumbai excited, why not?"
This is not to say that these women have climbed the storied crystal
stair. According to Robinson, getting a foothold in the industry is easier
for them, but "after that, you are treated on merit". Apart
from the bitching in greenrooms, the foreign girls also put up with media
assault. If Gupta's expanding girth was the sniggering point with Indian
models at last year's India Fashion Week, Kaif was ripped apart by a city
tabloid for her flabby tummy. That hasn't stopped Bollywood from welcoming
them with open arms. Thompson, a Gold Gyms model and a second-lead actress
in Hollywood, has two films in hand, not to mention stage shows. Producer
Ayesha Shroff, who got Kaif to star in Boom and paid her more than the
average Bollywood entrant, says she was hired to give the film a global
flavour. "It's an era of crossover films and faces," she says.
Many beg to differ. Mahesh Bhatt, who signed Kaif for Saaya only to
part ways not-so-amicably, says, "The grab value of the combination
of white skin and voluptuousness may exist for some, but the stranglehold
is loosening. Bipasha Basu is proving these girls don't match up."
The co-stars too are not enthused. Model Sameer Kochchar who starred with
Thompson in Valentine Days, a box-office dud, thinks she is a non-starter.
"She said she spoke Hindi, but eventually needed a tutor which delayed
the schedule." What he doesn't say is that 28, an age pretty much
over the hill for Indian women, seems strangely acceptable for a Hollywood
actress to debut in India.
But the bottom line is big bucks. "The money is good, better than
in the US," says Thompson. Just the sort of parting shot that gets
Indian girls fuming.