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ISSUE AUGUST 04, 2003
CINEMA: DYNASTIES
Relative Reeldom
Bringing up a baby is the time-honoured responsibility
of a Bollywood father. Three new films show how.
By
Kaveree Bamzai
Like
its occupant, the room tucked away at the back of a leafy, suburban Mumbai
bungalow carries the burden of history. It used to be the place where seated
on a low-slung diwan, the indelibly hyphenated scriptwriters Javed Akhtar
and Salim Khan would discuss the plot of Sholay. Its director Ramesh Sippy
was 28 when the movie was released. Sippy's son, Stanford philosophy graduate
Rohan, was three years old, trailing Amitabh Bachchan's towering figure
as the star shot the climax of the film, fake blood dripping from the fake
bullet wound in his back.
Kuch Na Kaho Rohan Sippy carries directorial
baton while father Ramesh plays the watchful producer and pushes for
perfection.
"I got to know Dad better
after working with him."
Twenty-eight years later, as he plays the toe-tapping music of his first
film, Kuch Na Kaho, Rohan does not betray the nervousness of a man working
in the shadow of a legend. It could be because the man sitting outside
his office, in casual blue jeans and sneakers, is a calming influence,
a point of reference as well as a good friend. Ramesh Sippy, his father
and producer of the soon-to-be-released Kuch Na Kaho, was his "entry
ticket to Mumbai films", says Rohan. And Rohan, who has grown up,
literally, with cinema around him-he lives in a building which is partly
rented out to the Central Board of Film Certification-would not have it
any other way.
Father, son, co-worker. In Bollywood where dynasties flow thicker than
blood, working with Dad is a rite of passage, like being pushed into the
first acting course or acquiring the first Land Cruiser. Everybody does
it, whether it is Qayamat director Harry Baweja, who gift-wrapped an acting
course at the Lee Strasberg Theatre Institute in Los Angeles for his son
Harman, or Rakesh Roshan, who could only think of his son when it came
to casting Kaho Na ... Pyaar Hai and now, the forthcoming Koi ... Mil
Gaya.
As he sits on the mixing table, the monitor freezing an image of the
three-foot animatronic alien of Koi ... Mil Gaya, Roshan looks every glowing
inch the doting dad. "After Kaho Na in 2000, I did 80 per cent work
on a script, but I was not happy with it," he says, twisting one
of the three Om rings on his fingers. "Then one night, the idea of
Koi ... Mil Gaya came to me. I woke up at 6.30 a.m., spoke to Hrithik
who was shooting for Yaadein in the UK and told him the story. He said
I must do it." The collaboration was perfect, sometimes almost wordless.
"He had to play a very difficult character. For three-fourths of
the film, he is autistic," he says, relating with dutiful pride how
Hrithik walked into his bedroom one day, in character-he had put on spectacles,
changed his hairstyle and was wearing oversize shirts.
Koi ... Mil Gaya Rakesh Roshan directs
his son as an autistic boy who is transformed by his friendship with
an alien.
"Hrithik has done his job, I have done mine."
But working together is not only about riding into the sunset together.
Not even if you are a self-styled cowboy like Feroz Khan. In Janasheen,
his second attempt to turn his son Fardeen into the male equivalent of
a sex kitten on speed (he plays a superbike racer), Khan makes sure a
water body is always on hand so either his son or co-star Celina Jaitley
can strip. Did Fardeen take kindly to that? "Yes, sweetheart,"
drawls Khan, "what do you expect him to wear on a beach? A suit?"
Khan was not unduly surprised by his son's choice of career. "All
I told him was that my legacy to him would be an education. I was a school
dropout but I wanted him to study." Fardeen duly studied business
management at the University of Massachusetts in Boston, US, duly caught
the acting bug while doing a drama course and duly returned to become
an actor in his father's Prem Aggan in 1998.
For Rohan and Ramesh, Kuch Na Kaho saw a quiet cementing of their relationship,
fractured no doubt by parental divorce. "I got to know him a lot
better after working with him," says Rohan. In the case of the Khans,
says Feroz, his separation from wife Sundari was never an issue. "I
frankly outgrew her, but both of us made sure it did not affect our relationship
with the children," he says. The result: father and son are very
good friends who can even discuss "last night's date with a wink
and a smile".
Janasheen Fardeen Khan acts out father
Feroz's fantasy as superbike racer prone to taking his clothes off
at the smallest excuse.
"Fardeen is a bright boy, he knows his beans."
But being a star father can be tricky. Ask Suresh Oberoi, whose hyperventilating
ways are seen to have damaged the initial goodwill earned by his son Vivek.
Or even Roshan Sr who is stoic about his son's run of amazingly mediocre
films ("He has done his job. I have done mine. Now let us see.")
Khan Sr says he gives advice only when he is asked for it: "Fardeen
is a bright boy. He knows his beans."
For the sons, living up to their pedigree is demanding. It is a reality
that Rohan Sippy has squared up to with a film that is small, intimate
and very different from anything his father has done. It is typical of
Bollywood, which loves coincidences on and offscreen, that Kuch Na Kaho
stars Abhishek Bachchan, who not only went to the same boarding school
as Rohan (Aiglon in Switzerland) but is also the son of one of his father's
favourite actors, Amitabh.
Perhaps, as Morpheus observed in The Matrix Reloaded: "I do not
see a coincidence. I see providence. I see purpose." And destiny.