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INDIA TODAY
    CURRENT ISSUE MARCH 13, 2006
 
    SOCIETY & THE ARTS: BOOKS
 
Vintage Bond

The wanderer's search for the ordinary has lost none of its freshness
 

TALES OF THE OPEN ROAD

By Ruskin Bond
Penguin


Price: Rs 200 Pages: 202

The name is Bond. Ruskin Bond. Whether stirred, shaken or reheated, his books have created a niche in Indian writing, much like the other Bond in the movie genre. Like his writing, Ruskin travels well, and frequently. This is a collection of his travel writings published in earlier literary avatars, now revived in thematic form. When publishers do that, it is a sign that the author sells enough to justify the effort. Bond, the Man with the Golden Arm, so to speak. Or leg, as is the case with travel writing.

From his Mussoorie base, Ruskin frequently succumbs to the itinerant's itch. He is a wanderer rather than a traveller. His search is for the ordinary, for how people live. He could go to Agra, roam around the bazaars and have tea with a shopkeeper without the slightest urge to see the Taj. Unlike junket junkies, he avoids exotic locales. Being a lover of mountains and nature and the simple life, much of his travels have been in the hills or small towns and villages in the plains.

That is typical of the man. For his accidental journeys, he uses public transport because that is the best way to meet fellow travellers. His easy, effortless style of writing is ideally suited to travelogues, more so since he writes about uncomplicated things and people he meets on the way. His observations from such encounters are what make Ruskin's books so engaging and readable. He writes about places like Chhutmulpur, Shamli, Kotdwar, where the real India is to be found. As he says: "Human beings and the worlds they make for themselves are as fascinating as the wonders of nature." Even if you have read some of the collection earlier, it is the ideal travel companion. This is vintage Bond. Ruskin Bond.

    AUTHORSPEAK: SHIVANI SINGH

The Princess Diaries

Forts wait mute with frozen operas. Murders punctuate the corridors of decadence. Innocence takes a tour of the spectacle. These are some of the images that hyphenate the pages of 36-year-old author Shivani Singh's debut novel The Raja is Dead (HarperCollins). Dripping with drama and despondency, Singh drafts a cerebral plot at a time when most authors celebrate hackneyed exotica. In an unhurried style, the story opens with a murder at the Raja of Sirikot's palace-a dead body is found with "marks on the throat". Royalty, even in fiction, needs to have a debauched voice to be a page turner.

The murder triggers a series of tales that churns the insides of the palace. Suggestively set in circa 1947, a time when Indian monarchy was crumbling down like a pack of cards, Singh unfolds the thriller through the eyes of Leela, the 13-year-old punk of a princess. Singh says, "I chose Leela's age as it brings in the part girl, part woman curiosity and ambivalence to the story". So while the subjects (murder, palaces, incest) are conservative, the imagination of this "soccer mom" can put the fits and foils of Desperate Housewives to shame. Dreamy in parts, the book richly describes the twisted tales of excesses. And the lack of it. She weaves in an element of karmic boomerang where sins committed by parents return to haunt the children.

This philosophy graduate now plans to explore the inscrutable mysticism of religion in her next book-which she has already written. "Every religion has a saint but their path to sainthood is so secretive," she says. Which is what she aims to unravel in a tale set in Nalanda.

Over the last decade, India has proved that it has a bankable bunch of scribblers who have scripted everything from their brown childhood to odes to paani puri, much to the excitement of blue eyed bookers. Even while these authors auctioned India, what remained shrouded in mystery was the art of telling a story, with er, a story. They lost a plot or never have had one. This is where Singh scores. With her pen poised like a javelin, Singh provides the respite readers crave from the musty tales of the ordinary. "I think I found my Zen after writing this book," she says with relief. So have her readers.

-By Supriya Dravid

 

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Index

CURRENT ISSUE
MARCH 13, 2006
 IN THIS ISSUE
INDO-US RELATIONS

The Giant Leap

OTHER STORIES
 

Fifty Fifty

Not Feel Good, Not Feel Bad...

Win Some, Lose Some

The Big Ticket Reformer

The Buddha is smiling

Marxist Disharmony

Chill in the valley

Hinterland Heartbreak

Shaky Survivor

The American Whirl

The Murder Of Justice

Patiala Peg

Vintage Bond

Own Your Own Film

Reality Check

"It will take three to six months for things to settle"

The Quarter-Life Crisis

 
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