| INDIA TODAY | CURRENT ISSUE APRIL 03, 2006 | | | | YOUR WEEK: ARTS & ENTERTAINMENT |  | | | | Theatre | | An Indian Summer | | |  | | PICTURE SPEAK |  |  | | Stage is set: Artists rehearsing for the playAn Indian Summer | | Delhi “The course of love never did run smooth” proclaimed the Bard in A Midsummer Night’s Dream. When theatre director Tim Supple took on the challenge of making a multi-cultural, multi-linguistic version of the play, he had anticipated some difficulties, but the going was surprisingly smooth for such an epic production. Consider the challenge: a sub-continental cast presenting the Bard in a new hue and weaving in elements from the region’s folk traditions. Supple says what struck him most during the auditions was the balance between refined form and raw necessity, and the co-existence of the ancient and the modern. “It couldn’t have been anything less for Shakespeare’s most perfectly composed play. With a beautiful way of presenting characters, it is almost like a Mozart composition,” he says. Organised by the British Council, the production brought together a young Indian and Sri Lankan cast interacting in a mixture of languages—Hindi, Bengali, Marathi, Malayalam, Tamil, Sinhalese and English. It had to be multi-lingual, says Supple. “To restrict ourselves to English would mean to miss out on a wealth of different ways of telling stories. It would also be a lie,” he avers. After being staged in India, the production will move to the Swan Theatre in Stratford-upon-Avon, UK. The play will be staged at the Indira Gandhi National Centre for the Arts, Delhi, from April 1 to 3. It will subsequently move to Mumbai, Chennai and Kolkata. by Aasheesh Sharma | | | Music | | Ringing in a New Trend | | |  | | PICTURE SPEAK |  |  | | Chaurasia (left) and Sharma | | Delhi Ringtones are getting classier. After Kajra re and Dus bahane, classical tunes are the latest to enter the fray. Airtel has collaborated with Music Today to offer 500 ringtones and ring-back tones from their musical archives. This service will help customers choose from a wide variety of ringtones of legendary maestros including Pandit Ravi Shankar, Ustad Zakir Hussain, Pandit Hari Prasad Chaurasia, Pandit Shiv Kumar Sharma, Ustad Amjad Ali Khan, Pandit Bhimsen Joshi, Bismillah Khan and Ustad Sultan Khan, among others. This also includes ringtones in other genres like sufi, spiritual and fusion music, of artistes like Abida Parveen, Hans Raj Hans, Pandit Jasraj, Pandit Bhimsen Joshi, Wadali Brothers, Rahul Sharma, Ganesh Kumaresh, Taufiq Qureshi and U. Rajesh. “For the uninitiated, this service may help develop interest in classical music. Classical music has always been for the classes, now it will reach the masses,” says santoor maestro Pandit Sharma. “Classical music has always been a balm for frayed nerves. What better way to do so when the phone beckons you with a taan of Pandit Jasraj or a shanti mantra,” says flute maestro Pandit Chaurasia. So the next time your boss calls, the ring-back tone of shanti mantra may soften the fireworks. by S. Sahaya Ranjit | | | Film review | | Old Bore | | | UMAR Director: Karan Razdan Starring: Jimmy Shergill, Prem Chopra, Kader Khan, Satish Kaushik OK. We love our old people, God bless them, but on the big screen, they are attractive only if played by well-preserved actors such as Amitabh Bachchan and Hema Malini. Khan, Chopra and Kaushik are nowhere as good-looking as the stars who lit up the otherwise depressing moral science lesson, Baghban. But Razdan, best known for his lesbian slasher film, Girlfriend, clearly hoped the sleaze content in his film would see it through. It doesn’t—though not for lack of trying on the part of a pouty Victoria Madam, who runs a club where Shergill sings, and who utters the most amazingly scripted dialogue heard in recent times: “I used to love you for your body. But now I love you for your soul.” Shergill, as the startled subject of her misdirected passion, is a good actor who hasn’t got the right break. He’s an orphan who has these three ageing musketeers as friends in big, bad London. Naturally, they bail him out of a murder rap, but not before some lip-curling heavy-handed hamming by Dalip Tahil, as a corrupt minister. Leaden stuff. by Kaveree Bamzai |
| | Recommendations | | A Mixed Bag | | | | Delhi The Gandharva Vidyalaya and Saraswati Samaj are organising an evening of classical music on April 2 in memory of Late Pandit Vinay Chandra Maudgalaya. The event will be marked by performances of Pandit D.K. Datar, student of D.V. Paluskar, and Pandit Ulhas Kashalkar of Gwalior gharana. At Aiwan-e-Ghalib Auditorium, near Bal Bhawan. Delhi A festival of legendary directors’ plays is being organised by Sahitya Kala Parishad at the Sri Ram Centre auditorium from March 27 to 31. The plays which will be staged are—M.K. Raina’s Subhadra, Ram Gopal Bajaj’s Dimaag-e-Hasti, Dil ki Basti, Barry John’s It’s All About Money, Honey, Rajinder Nath’s Sakharam Binder and Joy Michael’s Inner Laws. Don’t forget to watch the directors’ special. Kolkata France’s best ad films will be showcased in The Night Of The Adeators, a programme organised by the French Association. It is a compilation of over 70,000 publicity spots that ad-collector Jean Marie Boursicot had collected for over 23 years. The show will be presented at Max Mueller Bhawan on March 25. | | | Exhibition | | Colours of Life | Mumbai Colourful and vibrant, “Visual Expression” is Rekha Rao’s latest collection of paintings (oil on canvas) on display at Cymroza Art Gallery till April 8. Her collection, comprising 14 works, is inspired by her recent relocation from Bangalore to Mumbai. While her painting, titled “Striding”, is a visual interpretation of the potholes on city roads, “Incense” has been inspired by the life of agarbatti-makers. “Visual Expression” is a collection of works which can be termed partially abstract, says Rao. Though most of the canvas is dominated by abstract strokes, a vertical panel next to it includes figurative work which, Rao says, “completes the story”. She warns that her paintings do not convey everything directly, “you need to read between the lines to understand them”. And though the theme is life, “they don’t present a melancholic picture, but are quite colourful in their expression”. by Vanita Singh | Index | | |