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INDIA TODAY
     CURRENT ISSUE AUGUST 28, 2006
 
    YOUR WEEK: ARTS & ENTERTAINMENT
MUSIC FESTIVAL
In Memoriam
 
  PICTURE SPEAK
Chatterjee (Up) and Jasraj (Below)
DELHI: After a long-drawn summer, the Vishnu Digambar Sangeet Samaroh signals the start of the concert season in the Capital. Organised jointly by Gandharva Mahavidyalaya and Saraswati Samaj, it is a tribute to the legendary Pandit Vishnu Digambar Paluskar, who was both an artiste and a guru of gurus. His most notable contribution was the opening of the musical world to outsiders by helping break the monopoly of the gharanedar pandits and ustads. A staunch nationalist, he composed the famous Raghupati Raghava Raja Ram for Mahatma Gandhi.

For 58 years this festival has been featuring young, upcoming and established artistes, who don't charge any fee for their presentations. This year, there are fewer artistes. "We have tried to promote the generation-next this year," says Madhup Mudgal, principal of the vidyalaya. The festival will begin with a surbahar and sitar recital by Purbayan Chatterjee, followed by Padma Talwalkar's vocal recital. She has evolved a musical idiom of her own, assimilating the best of Kirana, Jaipur and Gwalior Gharanas.

The second day will open with a vocal recital by Neela Bhagwat of Gwalior Gharana. Her Kabir bhajans have an unusual flavour and intensity. One of the unique features in this year's festival is a tabla recital by 12-year-old Yashwant Vaishnav.

Kirana Gharana representative from Bangalore, Jayatheerth Mevundi, will also sing on the same day. The shehnai, for long the sole territory of Ustad Bismillah Khan, finds two young and promising players, Sanjeev and Ashwani Shankar and the hundred-stringed santoor will come alive in the hands of Pandit Ulhas Bapat. The festival will wind up with a vocal recital by Pandit Jasraj, fondly known as "Rasraj". Soak in the music. From August 21-23, at Kamani Auditorium.

-By S. Sahaya Ranjit


DANCE THEATRE
Defying Mythology
 
  PICTURE SPEAK
Kaikeyi revisited: Geeta Chandran
DELHI: The modern dancer is constantly evolving to give new meanings to old texts and characters. Bharatnatyam dancer Geeta Chandran explores the much maligned epic character of Kaikeyi, collaborating with theatre director Rashid Ansari. "Kaikeyi has been villainised, misunderstood and condemned in almost every version of the Ramayan. My production is in defence of her. She emerges as a brave, sensitive, accomplished and beautiful woman, who is condemned by a patriarchal system that refuses to acknowledge its own political scheming," says the dancer. Chandran alludes to characters ranging from Shakespeare's Lady Macbeth to the Biblical Judas in her interpretation of the mythical queen. The nuanced production examines the complex character who cannot be dismissed as a unidimensional portrait of stigma and horror. The script has been written by Deepa Dharmadhikari, with inputs from various textual sources. To be staged at Akshara Theatre on August 25 and 26.

-By S. Sahaya Ranjit


DANCE
Art in Life
 
  PICTURE SPEAK
Malavika Sarukkai
BANGALORE: Dancer and choreographer Malavika Sarukkai will make a presentation titled "A Sacred Life" for Sanskriti Foundation. It focuses on the need for a culturally aware society sensitive to art and culture, not only in terms of performances but also in everyday life. Sarukkai has worked on this idea through the medium of dance. On August 25, 6.30 p.m., at Senate Room, Taj West.

 

-By Nirmala Ravindran


FILM REVIEW
Emotional Gap
  PICTURE SPEAK
Khan, Zinta, Abhishek and Mukerjee (from left)
KABHI ALVIDA NAA KEHNA
Director: Karan Johar
Cast: Shah Rukh Khan, Rani Mukerjee, Abhishek Bachchan, Preity Zinta

"Tum sirf ek wafadar jamadar ho," says Shah Rukh Khan to Rani Mukerjee, who is obsessed with cleanliness. "Yeh mera garibkhana hai," says Amitabh Bachchan to wedding caterer Kirron Kher, who replies: "Aur yeh mera khana hai." If only the entire movie was as unself-consciously screwball, Kabhi Alvida Naa Kehna would have established Karan Johar's mastery over the four-hankies-and-40-laughs genre. Instead he decides to grow up in a hurry and take the beloved Rahul/Raj with him. In the process, he loses the balance he has always maintained between pulling the heartstrings and making audiences laugh, while keeping hair and make-up intact. In spite of some distinctly non-family scenes, including one where the adulterous couple books a hotel room and Shah Rukh takes off his shirt (shock, horror), the film settles down in the second half. The stars refrain from wearing gorgeous overcoats every time it rains and the emotional declarations are accompanied by a chorus. Shah Rukh looks uncomfortable in his skin, Mukerjee has perfected the art of weeping copiously and smiling valiantly and Preity Zinta's face seems to have been rendered temporarily immobile, while Abhishek is deft at his puppy-turned-philosopher role. Messages left on voice mail, self-improvement books, café dates, and discussions about bedroom techniques-the trappings of modern love are in place-now all we need is for Johar to find his new métier.

-By Kaveree Bamzai


EXHIBITION
Sensual Imagery
  PICTURE SPEAK
Sculpture by Satish Gujral
KOLKATA: While Indian painting is going places internationally, sculpture remains a poor cousin and usually finds but a passing mention. Which is why Aakriti Art Gallery's latest offering is a refreshing positive step. The gallery has opened a new wing that will cater exclusively to sculpture. It was inaugurated last week with the show "Shilpakriti", which features works of some of the country's best-known sculptors.

The gallery, which has been designed with modern adjustable lighting, comes at a perfect time, on the birth centenary of legendary sculptor Ramkinkar Baij and pays a tribute to his genius with its first show. "In the last four decades the sculpture scene in India has undergone a sea change, and we find three or four generations working simultaneously at any given point of time, producing sculptures in stone, bronze, terracotta, fibreglass, cloth, junk, concrete, wood, and various other materials," says curator Prayag Shukla. Shilpakriti is trying to showcase the entire range of works through its exhibition. The sculptors whose works find display are Satish Gujral, Uma Siddhanta, Bipin Goswami, Nagji Patel, and 25 others. At Aakriti Art Gallery, Kolkata, from August 12 to 27.

-By Swagata Sen


RECOMMENDATIONS
The Risks of Life
DELHI: Birendra Pani, the son of a carpenter, in his exhibition "Risk, the Double Edge of Society", has gone back to "excavation". From the recesses of memory, he has infused life in the young and languishing gotipua, who is facing a slow annihilation.

The bi-polarity of India is reflected in his work. Pani uses metaphor, allegory, tradition, and the tenets of yoga to build upon his existing language, which is becoming more and more cosmopolitan. The other show, "The Anecdote And Its Shadow", by Tanmoy Samanta presents the material world through banal objects. From August 21-September 2. At Gallery Espace.


Spiritual Frames
  PICTURE SPEAK
A picture from the exhibition
MUMBAI: Placid lakes, sand dunes by the Indus, valleys that reflect a sense of emptiness and a silence that is spiritually powerful-these are some images from Prabir Purkayastha's exhibition of photographs of Ladakh. Titled Zendo-Japanese for a meditation hall full of spiritual energy-the exhibition has 42 images that reflect a desolate, barren, yet spiritually powerful landscape. "I feel a certain oneness with Ladakh," says the much-awarded photographer. On display at Bodhi Art, till September 2.

-By Aditi Pai

 


Index

CURRENT ISSUE
AUGUST 28, 2006
 IN THIS ISSUE
COVER STORY

Living With Terror

OTHER STORIES
 

The Crass Ceiling

Capital Convert

"The Nuclear Issue Needs A National Consensus"

Fixing It Safe And Sound

"The Opportunity Is Enormous"

Stocks Minus The Risk

Life In Cop's Own Country

The Missing Tongue

The Road to Perdition

Mind Game

Prodigy Puzzle

Modern To Medieval

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