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INDIA TODAY
     CURRENT ISSUE NOVEMBER 13, 2006
 
   SOCIETY & THE ARTS: BOOKS
 
Hidden Truth

Making sense of the gods and goddesses of Hindu mythology
 

MYTH=MITHYA

By Devdutt Pattanaik

Penguin


Price: Rs 250 ; Pages: 212

At last we have a brilliant pocket-sized handbook on Hindu mythology written in English by an Indian. It comes from Devdutt Pattanaik who has over the past few years published quite a tantalising opus including Shiva and Shankara: Decoding the Phallic Symbol and Man Who Was a Woman and Other Queer Tales from Hindu Lore. As the author states in a lucid and provocative introduction: "Ancient Hindu seers knew myth as mithya. They distinguished it from sat. Mithya was truth seen through a frame of reference. Sat was truth independent of any frame of reference." Moreover, mythology (the vehicle of conveying the idea of myth) rides on the wings of fantasy and hyperbole. It needs to be so in order to ensure "flawless transmission over generations," says Pattanaik, explaining that it would be arrogant to presume that the ancients actually believed in "virgin births, flying horses, talking serpents, gods with six heads and demons with eight arms". These are symbolic representations of the ideas or concepts of truths that need to be communicated. And such is the power of the idea of mythical perfection that it "inspires art, establishes empires and sparks revolutions". Above all, it keeps the wheels of civilisation churning.

Divided-like the holy trinity- into three chapters (dedicated to Brahma-Saraswati, Vishnu-Lakshmi and Shiva-Shakti) the book delves into virtually every important myth and story associated with these gods/goddesses (and their progeny, associates and antagonists) in simple and engaging prose that draws from a host of original and secondary sources from the Vedas to the Puranas. Indeed, in Pattanaik Indian civilisation has found an articulator of the calibre of Will Durant.

   AUTHORSPEAK: SHOVANA NARAYAN

Always on Her Toes

Indian classical dancers live a rich, varied life filled with rhythm and movements. Take the case of Kathak dancer Shovana Narayan, 56, who decided to unfold the fascinating tale of her life in Meandering Pastures of Memories (Macmillan)-a book which paints a vivid portrait of her determination and achievements. "It is an honest narration of my life," says Narayan, who combines her career of classical dance with her demanding profession as a senior civil servant belonging to the Indian Audit and Accounts Service.

Apart from performing and organising festivals, Narayan has another passion-she often goes down the memory lane and pens her experiences-which over the years have taken the shape of a book. For Narayan, dance has been an obsession. She was initiated into Kathak at the age of four by well-known dancer-actress of yesteryear Sadhna Bose in Kolkata and Guru Kundal Lal in Mumbai. Later, she learnt from Pandit Birju Maharaj. Her style is an amalgamation of Jaipur and Lucknow gharanas. She has incorporated modern themes such as child abuse and human rights in her performances, thus giving the traditional dance a new vitality and meaning. "Although I am rooted in tradition, I keep the windows and doors of my mind open. That helps me inhale the fragrance of myriad cultures," she says.

Narayan has written eight books earlier, which have all dealt with Indian folk traditions and the various dance forms. However, in her latest opus there is an unending dialogue between her and her dance as well as between the world and the individual. It documents her life as a dancer and as a family person and her contribution to dance. The book is divided into four chapters that deal with Narayan's childhood and the social changes she witnessed; her parents' role in her life; marriage, motherhood and personal musings. She married Austrian diplomat Herbert Traxl after a long-distance courtship. In the last chapter-Personal Musings-she touches on her health problems and how the media made "catty remarks" about her powdered face when she was suffering from a skin disease. It is a poignant narrative of a woman who has tried to balance the dual roles of a dancer and a government servant. What next? She is working on her next book on Krishna. For Narayan, there is never a dull moment in life.

-By S. Sahaya Ranjit

 

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INDIA TODAY
CURRENT ISSUE
NOVEMBER 13, 2006
 IN THIS ISSUE
COVER STORY

MAN IN A MUDDLE

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Broken Wings

Tax-Free Politics

Southward Bound

Growth Incorporated

IT's Dream Run

Salvaging The Shipwrecked

Bowlers' Blues

Evolutionary Tactics

Hidden Truth

Eminent Strokes

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